At least I think that's how it goes.
Ebay always proves an elusive and confounding beast for collectors and researchers alike. Each day brings a new flood of historical antiquities to pick and preen through. Every so often an item shows up that rewrites previous conclusions or opens up new avenues to explore. Most recently, that item was the Auburn Company's “Syco-Graf” board.
Ebay always proves an elusive and confounding beast for collectors and researchers alike. Each day brings a new flood of historical antiquities to pick and preen through. Every so often an item shows up that rewrites previous conclusions or opens up new avenues to explore. Most recently, that item was the Auburn Company's “Syco-Graf” board.
I have a long love affair with the
Syco-Graf. Back in my poor college days when I had little other
option but to choose between ramen, rent, or talking boards, and
regrettably more often than not chose food, warmth, and shelter over
rare collectibles, I fell head over heels for the item in a rather ratty,
torn-up specimen that appeared at auction in eBay's nascent days. I didn't win it, of course, but I thought the auction picture was unique enough to save for later reference. That little low-res thumbnail became the cornerstone of a new digital talking board photo folder I then made on my desktop. To
really date it, consider that the picture culled from that auction
was eventually saved to a floppy disk inserted in my A: drive, and was lovingly transferred
from computer-to-computer in successive years, changing formats as I
went, and where it
still lies buried among so many others that have come along since.
1921 Syco-Graf Dial Plate |
I first detailed the Syco-Graf on mysteriousplanchette.com on the page dedicated to Grover Haffner's business concerns,
but with some new revelations, I want to revisit the device and the
penultimate form it may—or may not—have ultimately evolved into:
the Wanda Tipping Table.
The real revelation of this recent
listing was a previously-undisclosed business name stamped in the
yellow-stained oval above the board's missing dial attachment: The
Auburn Company, along with “Providence, RI.” Though it seems that
information had been shared with me as early as 2010, I had failed to
notate it, and so thanks to that “new” little revelation—and to
my good friend Bob Murch of williamfuld.com, whose thoroughness is
rivaled only by his boyish charm and glare of his shiny bald pate—we
now know a lot more about this little business than we once
discovered and discarded.
A man by the name of Whitfield J. Hainer of 227
Sackett St. registered “The Auburn Company" as a
sole proprietorship manufacturing novelties at the City Hall of Providence, Rhode Island, on
March 1, 1920. By that time, Whitfield already had two patents on record: his 1915 "autographic register" mechanical receipt machine and his 1919 caulking device. The business headquarters then differed from that
printed on the company's ads, with a given location of 35 West
Minister Street. There is a partner listed, which confuses the
sole propriety of his endeavors, but the name C.H. Martineau of 147 Elmwood
Avenue is also given. According to the 1921-22 Providence House Directory
and the board's manufacturer stamp, the duo's company was located at
64 North Main Street, in Room #2.
Another Syco-Graf Specimen: missing dual indicator. |
The board itself is a fantastic design,
with “inlays” of birch highlighting the various message areas
that seem to rather be stamped-and-lightly-stained areas contrasting
with darker-stained blank space than actual inlays. In fact,
depending on a particular photograph's contrast setting, the
workaround stain job seems evident, with darker patches of the red
stain deeper in outlying areas that thin to blotchy-ness as you get
closer to the black-line segregated yellow-stained areas, perhaps as
the worker applied the stain trying to avoid over-applying stain
where it wasn't needed.
The Syco-Graf is a classic dial plate
board in line with the Electra Company boards of the same era, with a
curious new feature never before seen in spirit communication
devices: a dual-index.(To be fair, the 1918 Sullivan patent has a two-pointer index, but doesn't work on the same long/short two-level arrangement) With the two-tiered arrangement of the letters
on the face, the rotating wheel contains two indicators—a short one
that points to the lower tier of numbers, days, times, and messages;
and a long index, which points to the upper tier of letters and the
Yes and No messages between them.
Syco-Graf Advertisement, Overland Monthly, November 1920 |
The earliest advertisements on record
show up in November of 1920—just in time for the holiday season—and
in the pages of both monthly and weekly publications such as The
Californian and Overland Monthly, as well as The Independent and
Motion Picture Classics. By August of 1921, advertising diminishes
and then ceases—as far as we can observe—in Overland Monthly
only. Whether or not the heavy spread of advertisements targeted at a
California audience is indicative only of the surviving or digitized
record, or if they are a clue to eyes cast longingly Westward is
unknown, but it is a curious observation that may play into the
board's continued evolution in the West that we'll soon discuss, if any.
The Syco-Graf was advertised as a
“micro-psychic” machine that “amazingly increases the strength
of the feeblest psychic impressions.” It sold for $5.00, or,
approximately $60 in current dollars. We haven't seen many pop up
over the years, and few with intact indicators. So they're nice and
rare.
Kyro Psychic Writer advertisement, The Independent, March 1921 |
By March of 1921, The Auburn Company
was offering a new enticing product: Kyro: The Psychic Writer. It was
described as “a modernized and supersensitized planchette.” It was constructed of 3-ply mahogany and “birch inlay” that arouses my
suspicions that it was a similarly deceptive contrasting
stamp-and-dye-job (like the Syco-Graf) than an actual inlay. It also
featured “adjustable bronze fittings” and—if I'm reading this
right—“gelo-lithic floats” which may be some sort of insulator
like we've observed on the Bang Williams Insulated Planchette. Or the
blurry texts says something else (other interpretations are invited).
The Kyro sold for .80 cents, or about $10 in modern equivalent
currency.
If the surviving digital advertising
record is anything to go by, the Syco-Graf didn't make it to the 1921
holiday season. Hainer's partner, in fact, left before the first
season was even over, with the incorporation papers noting his departure from the company on December 9, 1920.
It seemed the Syco-Graf had suffered the same futile fate as so many
talking boards before it, disappearing into the ether before that
“Patent Pending” stamp most boards seem to bear bore fruit.
Or did it?
With only pictures of the board's top
and no physical specimens to observe, the communicative collecting
community had for years tentatively assumed the Syco-Grafs we had
seen at auction were simply less refined versions of another enigma
we knew of that *did* show up on the patent record: Grover Haffner's patented
“tipping table.” After all, the traits just have too much in
common to ignore. There's the segmented alphabet sections. The lower
arch of letters flanked by the days of the week and the unusual AM
and PM markers. And the general layout of the design and the
mechanical reliance on that new feature I mentioned: the dual index
with the long and short indicators.
The proposed evolution: 1921 Syco-Graf > 1921/23 Haffner Patent Drawing > 1923 Wanda Tipping Table |
As historical photographs began to
surface of Haffner's tipping table, it was easy to jump to the
conclusion that his patent and the boards it spawned were simply
refined versions of the Syco-Graf. But there were a few problems with
that.
For one, this week's auction showed us
for the first time the flipside of the Syco-Graf, and it was
surprisingly absent of the legs, base, and pulley mechanism we
expected. Rather, it was just a straight dial plate mechanism,
casting its role in the evolution of the tipping table into doubt.
Then, of course, we expected—or at
least hoped—to see Grover Haffner's name somehow connected to the
Auburn Company's incorporation papers, which Murch wasn't able to
secure until we had a company name the eBay auction's item revealed
as the Auburn Company. But we don't get Haffner—we get Hainer and
Martineau instead.
Haffner Patent Drawing Detail: filed November 1921, approved December 1923 |
At least we have some breathing room.
Haffner's patent for his “psychic instrument” is filed on
November 26, 1921, so we have some time before the last Syco-Graf
advertisements on record and his filing date for his tipping table.
(As an interesting side-note, Haffner used the same attorneys: Hazard & Miller, that T.H. White used for his I-D-O PSY-CHO-I-D-E-O-GRAPH board and subsequent "Card Board" patent.) So it could be that Haffner—perhaps acting as the Elijah Bond to
Auburn's Charles Kennard—had time to borrow, license, or steal (or,
you know, use legitimately, but that's so boring) the design
scheme for the Syco-Graf, head West, and set up shop to produce the
revised version. Or maybe the design similarities and dual-index
operation are all one big happenstance. We really just don't know,
but that doesn't make the design similarities any less suspicious.
And, as usual, there were intervening
discoveries made that shed new light on the whole theory and
propelled the dialogue forward toward new discoveries. Gene Orlando
of the museumtalkingboards.com had archived some photographs of the
tipping table in use in some unidentified film or performance, complete with a
wiry-haired professor and showgirls at play with the device, and we'd
assumed we had a refined Syco-Graf on our hands. But another
film-related still broke the whole case open: a photograph discovered
by Murch, this time of Lon Chaney and Tod Browning on the set of the
lost film London After Midnight, playing with a tipping table as well.
Fortunately for us, as I sat there staring and wishing, I cocked my
head to the side as I scrutinized the photo, and realized I could see
the name of the board in this particular frame.
And it wasn't Syco-Graf. It was a board
called “Wanda.”
1920s Film Stills: Browning & Chaney on set of London after Midnight, right, with Wanda mark clearly visibile. |
This little clue led us to Harry Lang's
1928 article in Photoplay magazine, Exposing the Occult of Hocus-Pocus in Hollywood,which features not only a picture of a perfectly intact specimen of
this “Wanda Tipping Table,” but informed us that Haffner's
company was by now known as the Wanda Tipping Table Company of
Hollywood, California, which is not only a long way from Providence,
Rhode Island, but matches Haffner's location given in his patent
information, as well as his only appearance in the census record.
And that distance, not to mention the
short span between the final appearances of the Syco-Graf and the
first hints of the Wanda, casts speculation on the theorized relationship
between the East Coast-produced "Syco-Graf" and its
supposed West Coast incarnation. But a
patent application does not a product make, and it would be some time
yet before Wanda would finally be unveiled. The patent would not
actually be approved for another two years, on December 4, 1923. But
not that a company ever needed a patent to make a product. And we
know the wheels were rolling well before the patent's approval, as
the unissued stock certificate from the Henry E. Carter Papers in
UCLA's collections (issued for 7% of the company) displays with its February, 1923 issue date. It may be that it took that long for the
manufacturers to obtain funding and get established.
Before too long, and like any attractive young starlet, the board was suddenly showing up all over Hollywood, in the aforementioned films, at the very least, and the Photoplay Magazine article even says of it “The famous old ouija board, in its heyday, was so popular that 35,000,000 of them were sold! The tipping table is out after the same record.”
Before too long, and like any attractive young starlet, the board was suddenly showing up all over Hollywood, in the aforementioned films, at the very least, and the Photoplay Magazine article even says of it “The famous old ouija board, in its heyday, was so popular that 35,000,000 of them were sold! The tipping table is out after the same record.”
The 1928 Photoplay Revelation: The Wanda Tipping Table! |
Regardless of the evolutionary link or
no, the Wanda Tipping Table is every bit of machine the patent and
film stills promised, and is a marvelous good time to toy around
with. Ouija collectors finally had their first chance to get their
hands on one at the Phenomenology 105 conference in Gettysburg this
year, when I brought the sole-known-surviving and
only-just-then-restored specimen along for its public debut. And what a task the restoration was (and a topic for another blog post). The “Kennedy Table,” as it has come to be called after the
lovely woman who discovered it in her attic some years ago—was
missing a base and indicator, but with the missing parts restored,
she's back to talking, and has a lot to say. As the film stills
demonstrate, tipping the table back and forth draws the pulley to and
fro, turning the dual-indicator back and forth to point out messages
with similar ideomotor movements we've come to expect from moving
planchettes on talking boards. And she was a big hit at the conference!
The Kennedy Wanda: discovered in an East Coast attic. |
Oh, and if you're wondering, like so many are when they pose the question: “Why
“Wanda?”” Well, Grover Haffner claimed it was the name of his Indian spirit
guide.
If Haffner was involved with the Auburn
Company in some sort of secondary role (some East Coast census on Grover Haffner would be a particularly choice confirmation), later press makes it keenly
obvious that this is not the case with the Wanda Company, as he is listed as key to the device's existence in promotional materials with the board as well as press of the period. The Photoplay article also gives us some indication of the popularity of the devices in Hollywood:
“Perhaps the same reverent attitude
of the Valentino group finds an echo in the increasing numbers of
those in filmland who have “tipping tables” in their homes. Then
again, perhaps not. But at any rate, Dr. Grover C. Haffner, an
accomplished osteopath, and the Wanda Tipping Table Company of
Hollywood, are finding their fortunes from the tipping table.” Dr.
Haffner invented it, and the company is manufacturing and selling
it—and they're selling so many of them that it doesn't need a
fortune teller to tell that they're reaping a fortune."
"The tipping table is a sort of first cousin to the old ouija. It's faster—it has an indicator that works quickly like a pointer, in stead of the slow old traveling plaque of the old ouija board. The idea is for two people to sit at one with their finger tips pressing lightly on it. They ask it questions, and it's supposed to answer.”
"The tipping table is a sort of first cousin to the old ouija. It's faster—it has an indicator that works quickly like a pointer, in stead of the slow old traveling plaque of the old ouija board. The idea is for two people to sit at one with their finger tips pressing lightly on it. They ask it questions, and it's supposed to answer.”
The article continues with its
derision:
“Talking about table tipping, there's that good old séance trick of moving heavy tables about. Houdini, who in his lifetime delighted in nothing so much as exposing fake spiritualistic phenomenon, exposed the table-moving trick repeatedly. But it still goes “hot” in Hollywood séances.”
We got some life out of Wanda, and her
career wasn't as brief as other actresses who sojourned to Hollywood
seeking fame and fortune. We know by 1923 the wheels were rolling
toward the company that would manufacture her. We know by 1927 she's
showing up on the Metro-Goldwyn-Mayer studio lots, and by 1928 she is
well known enough in Hollywood to be derided in the press—the mark of an arrived star if there ever was one! And she keeps going. In 1931, The Wanda
Company commissioned a special 8x10 portrait of her—perhaps for use
in advertisements—by the “largest and finest photography studio
in the Los Angeles area” at the time: "Dick" Whittington
Studios, a photograph now in the USC Digital Library.
Wanda Psychic Tipping Table: the 1931 incarnation. Photo courtesy USC Digital Library. |
The photograph reveals some changes to
Wanda, as well. Her design has blossomed from the rather utilitarian
scheme of previous years into arguably one of the most beautiful
talking board designs ever witnessed. An all-seeing eye now surrounds
the indicator, “psychic” has been added to her title, and a nice
border and cornerwork adds to the appeal of the board. Like any
fading Hollywood starlet who has had her time in the limelight, it
looks as if Wanda may have had a little work done, because the
photograph does raise some questions: if the baseboard and metal
supports pictured are part of the board, and not simply a stand used
by the photographer to capture her beautiful new makeup, then how has
the mechanism changed? If the base and frame pictured is not a stand,
Wanda's mechanism has undergone a serious revision. There is no
indication of cables or their anchors on the base, which means her
index tipping system has been totally reworked in some fashion. That
would mean the regrettable discarding of her beautiful fold-out
wooden legs, having been replaced by a pair of metal frameworks, but
maybe that's the price of progress.
So, in closing, what to make of all this? It is a question I leave to you, dear reader, and invite you to weigh in in the comments section below. Is it happenstance that the Syco-Graf and Wanda share so many design similarities, or does one seem to be a natural evolution and refinement of the other? The collusion evidence is compelling from a design viewpoint: the dual index mechanism, the AM/PM and weekday messages, and the segmented letter sections that for years led us to believe they were family. But there's no evidence to place Grover Haffner in any sort of relationship with the Auburn Company. What do YOU think?
As researchers, we always wish we had all the answers for you, and we try to assemble all the available evidence into the best working theory we can, but, for now, and until more information comes to light, this one sloughs back into the less-than-certain bin.
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